roy ayers ubiquity everybody loves the sunshine download

He has also worked in collaborations with soul songstress Erykah Badu and other artists on his 2004 album Mahogany Vibes. In 2004, Ayers put out a collection of unreleased recordings called Virgin Ubiquity: Unreleased recordings 1976–1981 which allowed fans to hear cuts that didn't make it onto the classic Polydor albums from his more popular years. The first released several LPs, including Sylvia Striplin's, while the second folded after a few singles. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as 'Album of the Year' by Time Magazine.ĭuring the 2000s and 2010s, Ayers ventured into house music, collaborating with such stalwarts of the genre as Masters at Work and Kerri Chandler.Īyers started two record labels, Uno Melodic and Gold Mink Records. The following year he appeared on the Red Hot Organization's compilation album Stolen Moments: Red Hot + Cool. 1, playing vibraphone on the song 'Take a Look (At Yourself)'. In 1993, Ayers appeared on the record Guru's Jazzmatazz Vol. and also collaborated with Rick James for an album and is quoted to have been a very close friend of his. In 1992, Ayers released two albums, Drive and Wake Up, for the hip-hop label Ichiban Records. The types of music that he used to do this consisted of funk, salsa, jazz, rock, soul and rap. I try to generate that because it's the natural way I am'.

Īyers is known for helping to popularize feel good music in the 1970s, stating that 'I like that happy feeling all of the time, so that ingredient is still there. The single was released in July 1988 by Arista Records.Īyers has played his live act for millions of people across the globe, including Japan, Australia, England and other parts of Europe. The album was recorded at the Sigma Sound Studios, New York.Īyers performed a solo on John 'Jellybean' Benitez's production of Whitney Houston's ' Love Will Save The Day' from her second multi-Platinum studio album Whitney. Allen can be heard talking to his daughter on the track 'Intro/The River Niger'. In the same year, 1981, he also produced a second album called Africa, Center of the World on Polydor records along with James Bedford and Ayers's bass player William Henry Allen. In 1981, Ayers produced an album with the singer Sylvia Striplin, Give Me Your Love (Uno Melodic Records, 1981). In 1980, Phonodisk released Music of Many Colors in Nigeria, featuring one side led by Ayers' group and the other led by Africa '70.

In the late 1970s, Ayers toured in Nigeria for six weeks with Afrobeat pioneer Fela Kuti, one of the African continent's most recognizable musicians. In late 1979, Ayers scored his only top ten single on Billboard's Hot Disco/Dance chart with 'Don't Stop The Feeling', which was also the leadoff single from his 1980 album No Stranger to Love, whose title track was sampled in Jill Scott's 2001 song 'Watching Me' from her debut album Who Is Jill Scott? That fall, he had his biggest hit with 'Running Away'. In 1977, Ayers produced an album by the group RAMP, Come into Knowledge. He later moved from a jazz-funk sound to R&B, as seen on Mystic Voyage, which featured the songs 'Evolution' and the underground disco hit 'Brother Green (The Disco King)', as well as the title track from his 1976 album Everybody Loves the Sunshine. Īyers was responsible for the highly regarded soundtrack to Jack Hill's 1973 blaxploitation film Coffy, which starred Pam Grier. In the early 1970s, Roy Ayers started his own band called Roy Ayers Ubiquity, a name he chose because ubiquity means a state of being everywhere at the same time. His high school, Thomas Jefferson High School, produced various talented musicians, such as Dexter Gordon.Īyers started recording as a bebop sideman in 1962 and rose to prominence when he dropped out of City College and joined jazz flautist Herbie Mann in 1966. During high school, Ayers sang in the church choir and fronted a band named The Latin Lyrics, in which he played steel guitar and piano. Roy would likely have been exposed to music as it not only emanated from the many nightclubs and bars in the area, but also poured out of many of the homes where the musicians who kept the scene alive lived in and around Central. The schools he attended (Wadsworth Elementary, Nevins Middle School, and Thomas Jefferson High School) were all close to the famed Central Avenue, Los Angeles' equivalent of Harlem's Lenox Avenue and Chicago's State Street. The area of Los Angeles that Ayers grew up in, South Park (later known as South Central) was at the center of the Southern California Black music scene. At the age of five, he was given his first pair of vibraphone mallets by Lionel Hampton. He grew up in a musical family, where his father played trombone and his mother played piano.

Roy ayers ubiquity everybody loves the sunshine download